/Panel/
From Backstage to Center Stage: How Women Cultural Workers Shape the Contemporary Art System
Role: Organizer and moderate
Time: 2026/3/21
Address: 110 Lafayette St #201, New York, NY 10013
From Backstage to Center Stage: How Women Cultural Workers Shape the Contemporary Art System examines how women practitioners are reshaping knowledge production, narrative formation, and institutional structures within today’s evolving art world. As digital infrastructures, media environments, and cross-platform circulation continue to transform artistic production and discourse, women working across writing, journalism, curating, platform building, and education are expanding the ways art is produced, interpreted, and communicated. Through cross-disciplinary practices that connect technology, media, identity, and public engagement, they play a critical role in constructing cultural meaning and sustaining the infrastructures of the art system. Yet this labor often remains unevenly recognized, situated between visibility and invisibility within institutional and discursive frameworks.
The panel is structured around two interconnected conversations. The first explores how women cultural workers shape artistic and institutional structures, focusing on writing, curation, media, and platform practices as forms of agency that construct narratives, organize resources, and mediate cultural understanding. The second considers the methodologies that underpin these practices, examining how embodied experience, cross-cultural positioning, technological mediation, and research-driven inquiry contribute to new modes of cultural production and articulation. Bringing together perspectives from art writing, journalism, digital platforms, and education, the discussion offers a critical reflection on how women’s cultural labor is transforming the contemporary art ecosystem and shaping its future trajectories.
Panelist
Jiayin Chen is a curator, writer, and cultural entrepreneur passionate about engaging with artists who utilize digital technologies, ranging from moving images, immersive media to NFTs.Chen is the founder of SCREEN, the first bilingual online art platform dedicated to digital art, established in 2014.
Pin-Hsuan Tseng is a Ph.D. Candidate in Art Education at Penn State University, with minors in Women’s, Gender, & Sexuality Studies and Curriculum & Instruction. Her research appears in Research in Arts Education and Visual Arts Research, among others. She has received multiple honors, including the AERI Honorable Mention Dissertation Award (2025), the Pennsylvania Art Education Association Fellowship (2024), and awards from the National Art Education Association.
Xintian Tina Wang is a journalist and cultural critic covering gender, arts, business, and technology. Her work has appeared in The New York Times, TIME, NBC News, and ARTnews, amplifying underrepresented voices. She is President of the Asian American Journalists Association New York Chapter and has received honors including the Gracie Awards and recognition from the Boston Short Film Festival. She holds an MS in Journalism from Columbia University and a BS from Boston University.
